A vintage, rustic wooden chair with worn white paint holding a stack of textured handmade papers on its seat.

Let’s work together.

I am an event producer, poet, chandler, curator, designer, teacher, photographer, and witch. How I spend my days consists of cutting wicks, pouring beeswax, arranging images to tell heartfelt stories, styling spaces and places, casting spells with words, and taking timeless photographs on film.

I believe in soft magic and take nods from the natural world. I relish the tiny, intricate details of daily life—lighting candlesticks before dinner, studying lichen, or laughing with my family—and I am constantly in awe of the ephemerality of life: fleeting, fluid, and in flow.

Through ritual, intention, and intuition, my creative practice becomes a prompt to embody presence and an invitation to explore the subtle somatics of being and feeling present.

Founder and Creative Director,

Megan Lumgair

studio free folk inhabits and operates on the traditional land of the Anishinaabeg, Wendat, and Haudenosaunee Peoples and is adjacent to the Kanien'keha:ka (Mohawk) community of Tyendinaga.

I give thanks to all the generations of people who have taken care of this land past, present, and future; and recognize and deeply appreciate the Indigenous Peoples' connection to this land on which we live and work.

A minimalist still life featuring two pieces of textured white handmade paper and a single delicate sprig of beige grass.
A single white dried flower resting on a piece of textured white paper on a round ceramic plate.